Collection: Audio and Video, Clips and Transcripts Institution: NYC Trans Oral History Project Creator: Barms Date: May 17, 2019 Topics: Anarchism, Anthropology, Anti-transgender violence, Art history, Autism spectrum disorders, Bars, Bisexual identity, Bisexuality, Childhood, Children, Christianity, Class struggle, Clubs, Coming out, Communism, Construction workers, Disabilities, Femininity, Gender, Gender diversity, Gender dysphoria, Gender role, Gentrification, Hate speech, Homophobia, Internet, Labour movement, Marxism, Masculinity, Mental disorders, New Left, People with disabilities, Performance art, Pronoun, Relationships (LGBTQ), Religions, Sexuality, Socialism, Solidarity, Surgery, Transgender community, Transgender people, Transitioning (Transgender), Transphobia, Writers Subject: 9/11 Terror Attacks, A Red Bloom, Chris O'Feeley, Me Too Movement, Michael Bloomberg, Pratt Institute, Queer Workers Project, Rudy Guiliani, Sam Goody, True Scum Description: Barms is a construction worker apprentice and a communist. In this interview, they discuss the role of philosophy and abstract thinking for themselves and many trans people as a strategy of managin...
Collection: Zines Institution: Queer Zine Archive Project Creator: Brodzik, Lester Date: Autumn 1991 Topics: Crossdressing, Drag, Interviews, Lesbian culture, Lesbians, Performance art, Reviews Subject: Gurlene & Gurlette Hussey, Joan Jett Black, Michael Palmer, Paris Is Burning Description: From Page 4 of the document: "P-FORM, published quarterly , is dedicated to the development and understanding of performance art, as well as to building critical dialogue in Chicago. P-FORM is ...
Collection: ONE Archives Online Materials Institution: ONE Archives at the USC Libraries Creator: Date: 1951 Topics: Army, Crossdressing, Performance art Description: A "Sunday Punch" performance at Service Club #1 at Camp Polk, Louisianna. The event was played to a capacity crowd of "nearly 800 enthusiastic serviemen." Edgar Sandifer is second from the left. 1951.