Digital Transgender Archive

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  1. Chevalier D-E-n returned, or, the Stock-Brokers outwitted

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator:
    Date: 1771
    Topics: Etching, Gender diversity, Magazine illustration, Passing (gender), Stockbrokers
    Subject: Chevalier D'Eon, Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée
  2. Chevalier D'Eon (1777)

     
    Collection: Art Works
    Institution: Lili Elbe Archive
    Creator:
    Date: 1777?
    Topics: Crossdressers, Crossdressing, Gender diversity
    Subject: Chevalier D'Eon
  3. d'Eon in his study

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator: Le Roy, Jacques
    Date: 1775?
    Topics: Crossdressing, Engraving, Etching, Gender diversity, Letter writing
    Subject: Chevalier D'Eon, Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée, Restif de La Bretonne
    Description: Depicts a possibly female figure wearing male attire writing a letter at a table before a window in a study or library. Books fill shelves in the rear while two others lie open on the table, one ti...
  4. II Femminiello

     
    Collection: Art Works
    Institution: Digital Transgender Archive
    Creator: Bonito, Giuseppe
    Date: 1740 to 1760
    Topics: Arts, Canvas, Crossdressers, Crossdressing, Gender diversity, Gender minorities, Painting, Painting, Italian, Portrait painting, Italian, Third gender, Transvestites
    Description: "This recently-discovered painting from eighteenth-century Naples is a testament to the city's exceptional social acceptance of local transvestites known as femminielli. The term, which might be tr...
  5. La Chevalier D'Eon (1782)

     
    Collection: Art Works
    Institution: Lili Elbe Archive
    Creator:
    Date: 1782?
    Topics: Crossdressers, Crossdressing, Gender diversity
    Subject: Chevalier D'Eon
    Description: a painting, belonging to Charles Laston Esq, of Chevalier D'Eon at the age of 54 years old
  6. Mademoiselle de Beaumont, or, the Chevalier d'Eon: Female Minister Plenipo. Capt of Dragoons

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator:
    Date: Sep. 1777
    Topics: Clothing, Engraving, Etching, Gender bending, Gender diversity, Military, Portrait prints, British
    Subject: Chevalier D'Eon, Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée
    Description: Full length portrait of D'Eon dressed half as a man and half as a woman. The left side of the figure wears a full and elegantly styled dress, with hair piled high in the pyramidal fashion of the ti...
  7. Portrait of Abigail Allen; Portrait of the Female Husband!

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator:
    Date: 1829?
    Topics: Drawings, Gender diversity, Marriage, Married people, Passing (gender), Stealth (Transgender)
    Subject: Abigail Allen, James Allen
    Description: Captions below images read: "Portrait of Abigail Allen, Wife to the pretended James Allen, she resided with her Associate for more than 21 years, ignorant of her real sex! and what is more astonis...
  8. The assaut or fencing match

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator: Rowlandson, Thomas
    Date: 1787
    Topics: Etching, Fencing, Gender diversity, Sporting events, Sports, Stipple engraving
    Subject: Chevalier D'Eon, Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée, Joseph Bologne, King George IV
    Description: A 1787 fencing match between a man and a woman in the elegant rooms of Carlton House, London. In the audience stands the Prince of Wales who had arranged this fencing demonstration between Mademois...
  9. The Wife Turned Good-Man

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator:
    Date: 1770?
    Topics: Ballads, Farmers, Gender diversity, Gender role, Marriage, Poetry (LGBTQ), Relationships (LGBTQ), Wood-engraving
    Description: In four columns with the title and two woodcuts above the first two; there are dividing ornamental rules between the first and second as well as between the third and fourth columns.